As usual, Pearl River is turning heads as the source for high fashion on a low budget.
Lately, we’ve gotten a lot of attention for our nylon plaid bags. The bag’s exact origins are ambiguous, but they seem to have been popularized by people in developing nations, who use them lug around just about anything, from clothes to groceries. The robust, irreverently loud tote is sturdily constructed of nylon weave and built to withstand all sorts trauma–what one would expect from the tumultuous societies where folks rely on them for everyday shopping needs and occasionally long-distance transport. Apparently, Luis Vuitton spotted the bag somewhere–perhaps tumbling down an airport luggage carousel, a huddled mass in humble pursuit of the American dream–and he thought it was cute enough to warrant an insanely high-priced version stamped with his designer logo.

Though we originally thought it was just a Chinese thing (the bags a familiar staple in street markets both in Chinatown and on the mainland), we recently discovered that the all-purpose sacks are a familiar form of portage on another edge of the globe. Media exposure on Mr. Vuitton’s couture radar led us to a celebrated analog in Ghana, where the bag is known as “Ghana Must Go.”
Blogger Koranteng Ofosu-Amaah noted that the bag is a genuine world traveler and has garnered an array of colorful monikers to match. Quoting Georgia Poppelwell in his analysis of the sociocultural significance of the universal carry-all:
in Trinidad I’ve heard those bags called “Guyanese Samsonite.” We learnt that in Germany, per contra, they are known as “Tuekenkoffer” or Turkish suitcase. In Boston I’ve heard them referenced as Chinatown totes, and called Bangladeshi bags in England, presumably after the 1970s influx of Bangladeshi immigrants.
However, the Chinese connection is indisputable: the plaid pattern was sported in Western China thousands of years ago by the muslim Uyghurs of Xinjiang. And in modern times, it is only fitting that this product of globalization is Made in China.
Ofosu-Amaah describes Vuitton’s appropriation of Ghana Must Go as “high-profile plagiarism.” On the other hand, he concedes–and we agree–that in today’s world of mass migration, fluid borders and cultural miscegenation, there is hardly room to try to lay claim to something as basic as a shopping bag, and more than enough room for a little aesthetic piracy. In our little nook of the universe, at least, that continual mixing and matching is what makes New York City so great and a big part of what Pearl River is all about.
But from a consumer’s standpoint, we advise you not to be seduced by the fashion elite’s rendition of a low-brow treasure. Instead, democratize your bag collection by fetching the real deal at our store for just a few bucks–that’s a value that the masses can appreciate.

Efficient, eco-friendly and economical… the world’s most perfect shopping bag?