Architect Philip Poon with is model, Chinatown Gateway

Philip Poon: Shared Spaces (July 13–Aug. 31, 2019)

In the context of the political and cultural polarization of our nation, and the larger debate about what the future of America should look like, it is necessary for architecture to engage. Its power comes from both its ubiquity and necessity. Unlike photography, film, painting, or sculpture, architecture is always present in our lives — we sleep, eat, talk, and argue in architecture. It literally shapes the world around us. It can welcome or discriminate, unite or divide. It can be shared.

Architect Philip Poon’s exhibition, SHARED SPACES, invited viewers to imagine how people of diverse backgrounds might occupy the same physical space and explored the possible conflicts and harmonies that might arise.

The exhibition came in three parts:

Chinatown Gateway

Full view of Chinatown Gateway model with posters in background

Consisting of three connected arches that represent Manhattan Chinatown’s symbiotic past, present, and future, the Chinatown Gateway invited viewers to share the space defined by the arches with the multiple generations and people in Chinatown.

Close up view of Chinatown Gateway with onlookers in background

Different from every angle, the gateway is complex and changing, much like Chinatown and the culture within it.

Close up of Chinatown Gateway with wording about Chinatown oral histories

Monument to Keshia Thomas

Close up of model of Monument to Keshia Thomas

In 1996 Keshia Thomas, an 18-year-old African American woman, used her body to protect a man with an “SS” tattoo and a Confederate flag T-shirt from being beaten by a mob.

Explanatory board of Monument to Keshia Thomas

Close up of photos on explanatory board of Monument to Keshia Thomas

She chose to intervene, believing that a fellow human being did not deserve violence despite his intolerance of her. The roof is an abstraction of her body, covering the Robert. E. Lee statue that was at the center of the Charlottesville debate.

Rendering of Robert E. Lee statue as part of the Monument to Keshia Thomas

The statue is public but cast in shadow, letting people of all backgrounds and viewpoints share the darkness of the space.

Shared Spaces?

Wide view of photographs from collection, Shared Spaces?

These photographs and images explore the ways people are currently occupying certain spaces in the changing landscape of Manhattan’s Chinatown.

Two middle-aged Chinese women point at something in a luxury clothing store

Many of the images simply document existing conditions. Is it awkward? Normal? What would alternatives be? How could we better share space, in Chinatown and beyond?

Learn more about Philip in our interview with him.

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